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What are the most common faults that get stories rejected from the slushpile?
An editor speaks!

Posted with permission from a newsgroup exchange, we have this:




Mary Soon Lee began by saying...

>   Guy Gavriel Kay has one habit I hate,
>   that of withholding key information from the reader, even when it
>   is known to the POV character.

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Yer Critter Captain replied...

>This really annoys me, too (no matter who the author).  It's tempting to
>do it, but I hate myself when I do it, so I try never to.  The couple
>times I have, it's only been for the span of a few paragraphs, and I've
>justified it as "but the POV wouldn't stop to explain it and I need a
>few more sentences before I can clue the reader in".  But those spots
>still feel like a burr on an otherwise smooth piece of wood.

>How do other folks feel about withholding POV information from the reader?

>How widespread is my personal feeling that this is a cheap/false tension trick?

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and Liz Holliday, editor of Odyssey answered...

>I'd say it's one of the two commonest faults in my slushpile rejects
>(the other being a story in which the protagonist doesn't do anything
>or have any stake).  I think one particular beginner error is to use
>this method in order to write a story with a twist ending - whereas a
>better story would tell the reader the secret early on, and explore
>the consequences.

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So there you have it, folks, right from an editor's mouth.  Learn it and
live by it. :-)