New entry Jun 06
Critters is 25!
Last November, Critters turned 25 years old! Wow! Thanks so much to all of you, who've made it such a resounding success!
Books from Critters!
Check out Books by Critters for books by your fellow Critterfolk, as well as my list of recommended books for writers.
New Book from a Critter Member**NOW IN PRINT EDITION TOO!** Awesome new book, HOW TO IMPROVE YOUR SPECULATIVE FICTION OPENINGS, from a Critter member who's unearthed a shard of The Secret to becoming a pro writer. Really good piece of work. "...if you're at all concerned about story openings, you'd be nuts not to read what Qualkinbush has to say." —Wil McCarthy, author of BLOOM and THE COLLAPSIUM
The Sigil TrilogyIf you're looking for an amazing, WOW! science fiction story, check out THE SIGIL TRILOGY. This is — literally — one of the best science fiction novels I've ever read.
I was interviewed live on public radio for Critters' birthday, for those who want to listen.
Free Web Sites
Free web sites for authors (and others) are available at www.nyx.net.
ReAnimus Acquires Advent!
ReAnimus Press is pleased to announce the acquisition of the legendary Advent Publishers! Advent is now a subsidiary of ReAnimus Press, and we will continue to publish Advent's titles under the Advent name. Advent was founded in 1956 by Earl Kemp and others, and has published the likes of James Blish, Hal Clement, Robert Heinlein, Damon Knight, E.E. "Doc" Smith, and many others. Advent's high quality titles have won and been finalists for several Hugo Awards, such as The Encyclopedia of Science Fiction and Fantasy and Heinlein's Children. Watch this space for ebook and print editions of all of Advent's current titles!
THE SIGIL TRILOGY: The universe is dying from within... "Great stuff... Really enjoyed it." — SFWA Grandmaster Michael Moorcock
Announcing ReAnimus Press
If you're looking for great stuff to read from bestselling and award-winning authors—look no further! ReAnimus Press was founded by your very own Critter Captain. (And with a 12% Affiliate program.) [More]
From aburt Sat Mar 4 18:30:40 2000 From: aburt Newsgroups: sff.science-fiction Subject: Re: Definition of SF References: <38B1A25F.7B1D7963@jps.net> <email@example.com> X-Newsreader: NN version 6.5.1 (NOV) Status: OR In <firstname.lastname@example.org> email@example.com (Linda J. Dunn) writes: >If you can take the science out of the story and you still have a story, >it's not truly science fiction. >That's strictly MHO and many will diagree with me. >An example: Take the science out of Frankenstein and you have no story. For me, that's about how I'd define "hard SF". But I'm happy to stick my neck out...... :-) My thoughts tend to run: Speculative fiction: Fiction that contains some element that is quite different from known past or present. (Thus anything about the future [far enough away not to be The Present just with a later date; or present day but with elements not likely to be found if searched for, such as ETs inhabiting human bodies; historical settings with differences not known, such as Lincoln losing the 1860 election; or anything set in places never known to have existed, middle earth, etc.) Obviously all fiction is speculative, so it's a continuum -- the degree of speculation readers perceive; with each reader having their own zone where it ceases to be observational and becomes more speculative. Key word: *Differences* from (the reader's perceived) reality. Science fiction: Speculative fiction with plausibility. I.e., where there's an attempt to lend plausibility to the differences or the differences are inherently reasonable (e.g., lunar colonies). The difference _could have_ happened or _could yet_ happen. (Thus Lincoln losing the 1860 election; being revived today from cryogenic storage after being shot; being cloned from the blood on the exhibits still in Ford's theater; or being cloned two hundred years from now to upload his mental patterns to lead a revolt of enslaved software entities on Europa.) Key word: *Plausibility*. (Hard SF: Science fiction with an extremely strong plausibility rating.) Fantasy: Speculative fiction that makes no particular attempt at plausibility. (I'd call it "not science fiction", but that implies a binary value, and I view there being another continuum from "no plausibility attempted" to "completely valid just hasn't been done". Thus elves, dragons, magic, middle earth, etc., introduced just as a given, an assumption, axiom, postulate, you know what I mean. There's a fire-breathing dragon in the story, and that's that. If someone says the dragon was genetically engineered, yadda yadda, it moves a long ways toward science fiction away from fantasy.) So, that's my stab at a definition -- poke holes in it! ===================================================================== And a followup from a discussion about the meaning of "plausibility" and how Fantasy stives to be plausible within the confines of its own rules: ===================================================================== From: aburt Newsgroups: sff.private.sfwa.webstaff Subject: Re: Best one yet >Andrew Burt wrote: >> >> So, -that-'s the meaning of "plausible" I had in mind. "Something >> that could actually be that way given what we know." (Not the negative >> connotation of "plausible", didn't mean that!) >> >> Any thoughts on how to tighten that up? "Scientifically plausible"? >Hmmm. "Scientifically plausible" doesn't really work for me either. >Some far-future SF, for instance, doesn't strike me as being in the >least scientifically plausible, at least in the sense of something that >might actually happen--and I don't even think that's the point. In the sense that I think it's a continuum from SF to F, not a sharp dividing line, I have no problem with far-future stories being in the middle, both SF and F, as it were. "Plausible" isn't the ideal word, but I think of one endpoint (the "SF" end) as being about things that "could happen" no matter how unlikely. For example, it's _unlikely_ I could toss a fair coin a thousand times and get all heads, but it "could happen"; vs. not worrying at all if "could happen" is even relevant. If someone talks about faster than light travel in a "could happen" way, I'll buy that it's near the SF end of that spectrum. If someone talks about dragons and wizards, I don't need (or want) to think about how that fits with the World As We Know It, and I'll figure it's near the Fantasy end of the spectrum. Something scientifically improbable like "The Invisible Man" I'd put in the middle, leaning toward the SF side, since invisibility like it's usually handled is pretty unlikely (but the author handles it "as if" it could happen, mumbling about quantum whoziwatsits, then it's more SFnal; if it's handled with verbiage about magic, a la the Hobbit, then it's falling toward the Fantasy side). I suppose what I'm saying is the "could happen" attitude of the author is what determines the spot on the SF....F spectrum. But it's not an on/off kind of thing. >Also, >"scientifically implausible" says what fantasy isn't, but not what it >is. Maybe that's my problem with these definitions--fantasy is being >defined not in itself, but as it relates to science fiction. Augh, caught in the act! I confess; yes, that was the mathematician side of me, defining one thing and calling the other thing "not that." Not meant in any way to slight fantasy -- and yes, you're absolutely right; I need to amend my definition to be parallel. >How about--"science fiction" is speculative fiction that extrapolates >from real-world ideas and conditions, scientific or otherwise (since sf >can also extrapolate from social conditions); and "fantasy" is >speculative fiction that extrapolates from imaginary or unreal ideas and >conditions, such as myths and legends? I'm not -quite- happy with that (it isn't as, I don't know, "precise" about the nature of the "unreal" ideas as I'd like), but let me ponder....